I’ve been noticing a litany of new groups popping up all over the Great White North. One of these bands just happens to be based right here in my hometown of London, Ontario called Running From Daylight. Back in November I did do a Stereo Terror review looking at their debut album, Coffin For Two, which you can check out here. So when standup bassist/vocalist Garrett Keith hooked me up with an advanced copy of the band’s newest album, Elvis Ain’t Dead Yet, I was more than thrilled to dig into what my fellow Londoners had put together.
Based out of the seventh circle of Hell (also known as Toronto, Ontario) The House Of Haunt are one of the few bands keeping the world of horror music alive in the Ontario region. For me personally, I had heard the name being rumbled around but sadly never got around to giving the band a chance until earlier this year when I was able to see the band live opening for Argyle Goolsby And The Roving Midnight in Toronto along with The Cryptkeeper Five. To say I became an immediate fan would be an understatement as I told guitarist/vocalist Fang following their performance
Running From Daylight just happen to be based out of London, Ontario, which also happens to be my hometown and the base of The Deadhouse itself. So of course I have to check them out and see what they have to offer to our beloved genre.
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